But that’s OK. Whether you want to dive straight in and get lost in the depths of level creation, ease in with the creations of others or just play around with physics, LBP2 can accommodate you. Even better, those who just want to play it as a stand-alone game and ignore all the creator stuff (for whatever reason) can look forward to a surprisingly beefy story mode this time around – one with characters, voice acting, a persistent storyline and everything.
Unlike the first couple LBP games (which didn’t have stories so much as themed collections of levels), LBP2 centers on Craftworld, an imagination-driven paradise under attack from the Negativitron. A gigantic, cosmic dragon-thing, the Negativitron wants to corrupt everything it sees and reduce Craftworld to a demon-infested cinder, leaving it to a Resistance of creator-curators to… well, to put all its eggs in one basket and order Sackboy to do everything for them.
The story consists of some 40 levels (including a slew of optional minigame levels, some of which are meant explicitly for multiple players), most (but not all) of which revolve around the same quasi-2D, platform-hopping gameplay from the first game. Up to four players can explore a given level at once, controlling adorably customizable Sackboys that can hop around, grab onto certain substances and solve environmental puzzles. As before, it’s to your advantage to bring friends along, as multiple players can unlock certain paths and pickups that are off-limits to those going solo.
The bad news is that the basic gameplay hasn’t really been retooled; if you thought the first game was floaty, you’ll find LBP2 equally floaty. If you were confused by LBP’s limited 3D – which enables Sackboy to move between three separate 2D layers – you’ll be just as confused here.
The good news is that there’s so much new stuff to see and do, you probably won’t care. And aside from being more entertaining overall than the first game’s relatively static presentation, the story’s an excellent introduction to what you’ll actually be able to do with all the new stuff it brings to the table.
At the most basic level, you’ve got a few new powerups for Sackboy, which include a cool grappling hook – ideal for grabbing and swinging from squishy materials (or other Sackpersons) – as well as Grabinator gloves that let you carry certain objects. Then there’s the Creatinator, a helmet that can be aimed with the right analog stick and set to emit pretty much any kind of substance a level’s creator deems fit – water, fire, lasers, cakes, crates, whatever. These is fun to play around with in story mode, but even more fun in Create mode, where you can set the Creatinator to spray out as many huge, ridiculous, game-breaking objects as you want.
More interestingly, LBP2 introduces vehicles. Not in the “get on the object and hit this switch to make it go” sense, but versatile creations driven by control seats, which enable creators to map certain functions to controller buttons. At their simplest, these allow you to, say, press X to fire a rocket booster. Make things a little more complex, and you can drive or fly multi-function vehicles, complete with guns and special abilities, through your levels.
You can even ditch the “vehicle” idea entirely and use control seats to create simple videogames-within-a-videogame out of the mysterious new “holographic” colored-light material. In fact, it’s the control seats – along with the logic circuits, holographic material and Sackbots – that are the key to creating entirely new types of games within LBP2.
Say, for example, that you want to create a top-down, action-RPG-style game. By automatically dropping the player’s Sackboy straight into a control seat – which you’ll have affixed to a warrior-looking vehicle – you can bypass the traditional side-scrolly stuff entirely. Or so it seems – even the top-down levels are really just a camera/physics trick, accomplished by building huge, vertical levels with a flat background to serve as the “floor,” and then turning off gravity for everything in them.
Manipulating gravity can be done in either the settings for the level itself, or by slapping objects with logic circuits, sticker-like sensors that can alter the physics or behavior of whatever they’re stuck to. These can dictate how things in your levels move, how they react to being grabbed or shot, and can even control complex switch puzzles or onscreen counters (created, again, using holographic material). Frequently, you’ll find you need more than a few of them to get an object to really do what you want, so the introduction of microchips – collapsible circuit boards that can store and organize multiple logic circuits while only taking up as much space as one of them – is kind of a godsend.
All of this new stuff might not be as easy to understand as LBP1’s pistons, winches, giant switches, monster brains and other machinery – which you can still use, incidentally – but it’s a hell of a lot more versatile, and given enough time with it, you may wonder how you ever put up with all that clunky nonsense in the first place.
Logic circuits can also be applied to the Sackbots, another hugely significant addition. Essentially computer-controlled Sackpeople, the Sackbots can be used to add friends, enemies, or actors in cutscenes to a given level. They can follow you around, run from you, be instrumental in solving puzzles, back you up in a fight, or they can just stand around in the background for atmosphere. You can dictate their behavior and movement style, or just briefly take control to record a set of actions you want them to take.
You can also slyly slip the player into a control seat at the beginning of the level and have them control a Sackbot instead of their usual Sackperson, which is useful if you want to adjust their size, abilities (like their jumping, say) or just their appearance.
Add in the ability to direct and record your own in-game cutscenes, compose your own music, record voice samples and create custom sequences of levels for players to run through, and Create mode adds up to a bunch of very simple tools that can be used to create more or less whatever you want. Or, at least, to create a much broader variety of things than were possible in the first game.
The only problem is that a lot of the new stuff can be difficult to grasp at first, and while there are a lot of tutorials to show you how (enough that they’d be overbearing if they weren’t optional), there are a few things they completely ignore. For example, it’s possible to create animation with the holographic material, but the game never explicitly tells you how; it’s left for you to puzzle out on your own through trial and error (or by copying some other generous creator’s levels to see how they accomplished it).
There is one thing LBP2 won’t allow you to do, however, and that’s use Move. While it’s possible support will be added in down the line (which might be a nice addition to the Create mode), for now the game simply doesn’t offer a way to use Sony’s motion controls. The LBP2 disc does, however, include the Move-enabled Sackboy’s Prehistoric Moves, which will save you about six bucks if you haven’t already downloaded it from PSN.
So what this all boils down to is if this game is better than the other Media Molecule games lets compair!
LittleBigPlanet-Yes. LBP was and still is a great game, but LBP2 blows it away in every conceivable sense. The story’s better, the level-creation tools are far more versatile and the door’s been opened for players to create entirely new game types, instead of just new levels. It’s not quite as easy to immediately grasp, but the payoff for mastering it is infinitely greater.
ModNation Racers-Yes. ModNation’s racing might be a lot better than the top-down and side-scrolling varieties offered by LBP2, but comparatively it’s a one-trick pony. Being able to build your own tracks is fun, but being able to create different game types – or to just play those built by others – has more lasting appeal in the end
Create-Yes. Their gameplay may be fundamentally different – LBP’s creation tools are to build levels, while Create’s are mainly there to solve them – but LBP2' has it all over this bland entry in the “create, play, share” genre. Even without the draw of its creation tools, LBP2 is livelier, prettier and a lot more fun – and with them, its controls are a whole hell of a lot less clunky.
